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Relationscapes : movement, art, philosophy / Erin Manning.

By: Material type: TextTextSeries: Technologies of lived abstraction | Technologies of lived abstractionPublication details: Cambridge, Mass MIT Press c2009Description: x, 268 p. ill. 24 cmISBN:
  • 978-0-262-13490-3 (hard cover : alk. paper)
  • 0-262-13490-X (hard cover : alk. paper)
Subject(s): DDC classification:
  • 128.6 22
Other classification:
  • Dh
Contents:
Prelude: What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- Interlude: A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Interlude: Perceptions in folding -- Grace taking form : Marey's movement machines -- Interlude: Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves through fascism -- Interlude: Of force fields and rhythm contours : David Sprigg's animate sculptures -- Relationscapes : how contemporary Aboriginal art moves beyond the map -- Constituting facts : Dorothy Napangardi dances the dreaming -- Interlude: Cornering a beginning -- Conclusion: Propositions for thought in motion

Includes bibliographical references (p. [247]-255) and index

Prelude: What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- Interlude: A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Interlude: Perceptions in folding -- Grace taking form : Marey's movement machines -- Interlude: Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves through fascism -- Interlude: Of force fields and rhythm contours : David Sprigg's animate sculptures -- Relationscapes : how contemporary Aboriginal art moves beyond the map -- Constituting facts : Dorothy Napangardi dances the dreaming -- Interlude: Cornering a beginning -- Conclusion: Propositions for thought in motion

Manning

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