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Glitter up the dark : how pop music broke the binary / Sasha Geffen.

By: Material type: TextTextLanguage: English Series: American music series (Austin, Tex.)Publisher: Austin : University of Texas Press, 2020Copyright date: ©2020Description: viii, 254 pages 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781477318782
  • 147731878X
Other title:
  • How pop music broke the binary [Portion of title]
DDC classification:
  • 781.64086/7 23
LOC classification:
  • ML3470
Summary: "Is our love of pop music innately queer? That's the question Sasha Geffen answers--with a "yes," of course--in this book. Beginning with the Beatles and moving to the present, Geffen identifies artists of all stripes who performed "outside the limitations of their assigned genders." This includes not only trans artists like Wendy Carlos, or openly gender-bending artists like David Bowie and Prince, but ostensibly cis and hetero artists whose work and performance complicate the binary. This musical androgyny, they argue, is the result of different factors at different points in the timeline, but the flexibility of the human voice in pop music emerges as the most consistent form of expression. Geffen continues right up to the present, covering the origins of House and disco in gay clubs and the utopia of the dance floor, the genderless technology of hip-hop and artists like Missy Elliott who embody masculine virtues"-- Provided by publisher.Summary: "Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music's intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day. Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today's conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here."--Page [4] of cover.
List(s) this item appears in: Pride - boktips för vuxna
Holdings
Item type Current library Collection Call number Status Date due Barcode Item holds
Bok Almedalsbiblioteket Vuxen Ijx (Browse shelf(Opens below)) Available 80070811361
Total holds: 0

Includes bibliographical references and index.

"Is our love of pop music innately queer? That's the question Sasha Geffen answers--with a "yes," of course--in this book. Beginning with the Beatles and moving to the present, Geffen identifies artists of all stripes who performed "outside the limitations of their assigned genders." This includes not only trans artists like Wendy Carlos, or openly gender-bending artists like David Bowie and Prince, but ostensibly cis and hetero artists whose work and performance complicate the binary. This musical androgyny, they argue, is the result of different factors at different points in the timeline, but the flexibility of the human voice in pop music emerges as the most consistent form of expression. Geffen continues right up to the present, covering the origins of House and disco in gay clubs and the utopia of the dance floor, the genderless technology of hip-hop and artists like Missy Elliott who embody masculine virtues"-- Provided by publisher.

"Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music's intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day. Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today's conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here."--Page [4] of cover.

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